Scholars in Descriptive Translation Studies and other areas of translation theory have often employed ‘style’ as a term, but have rarely expanded their stylistic reflections beyond the level of impressionistic description. In the last decade, however, a small number of articles and monographs have advocated or attempted a fusion of stylistics and translation studies, into something that Kirsten Malmkjær (2004) has aptly termed “translational stylistics.” Building on this handful of contributions, the author proposes a bi-textual analysis of deictic shifts in Virginia Woolf’s To the Lighthouse (1927) and Giulia Celenza’s early Italian translation Gita al faro (1934).
Translation, Stylistics and To the Lighthouse: A Deictic Shift Theory Analysis
MORINI, MASSIMILIANO
2014
Abstract
Scholars in Descriptive Translation Studies and other areas of translation theory have often employed ‘style’ as a term, but have rarely expanded their stylistic reflections beyond the level of impressionistic description. In the last decade, however, a small number of articles and monographs have advocated or attempted a fusion of stylistics and translation studies, into something that Kirsten Malmkjær (2004) has aptly termed “translational stylistics.” Building on this handful of contributions, the author proposes a bi-textual analysis of deictic shifts in Virginia Woolf’s To the Lighthouse (1927) and Giulia Celenza’s early Italian translation Gita al faro (1934).I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.