The contribution focuses on a particular use of the ‘sinopia’ like it is testified by wall-paintings in the northern necropolis of Cyrene. In this analysis the word ‘sinopia’ indicates a preliminary drawing traced on the wall with a double finality. Actually the drawing is useful to definite the architectural project of the funerary chambers, that are rock-cut in the slopes of the Gebel Akdar. But it is also useful to definite the painting program, because it visualizes the distribution of the individual motifs composing the decoration. The different modes employed in tracing the synopia are also considered.

'Sinopia'. Considerazioni su uso e funzioni nelle tombe di Cirene

SANTUCCI, ANNA
2017

Abstract

The contribution focuses on a particular use of the ‘sinopia’ like it is testified by wall-paintings in the northern necropolis of Cyrene. In this analysis the word ‘sinopia’ indicates a preliminary drawing traced on the wall with a double finality. Actually the drawing is useful to definite the architectural project of the funerary chambers, that are rock-cut in the slopes of the Gebel Akdar. But it is also useful to definite the painting program, because it visualizes the distribution of the individual motifs composing the decoration. The different modes employed in tracing the synopia are also considered.
2017
978-90-429-3529-7
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11576/2626416
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