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A 'Monstrous-Feminine' Reading of Shakespeare’s Richard III: Roberta Torre’s Riccardo va all’inferno In corso di stampa Montironi, MARIA ELISA
Taking Stock of the ‘Top-Girl’ Legacy: Lucy Prebble’s Enron and Penelope Skinner’s Linda In corso di stampa Montironi, Maria Elisa
Local/Global Shakespeare and Advertising 1-gen-2024 Montironi, Maria Elisa; Minier, Márta; Paravano, Cristina
Gender and Patriarchy in Shakespearean Ads for Cars 1-gen-2024 Montironi, Maria Elisa
Introduction: Shakespeare and Advertising 1-gen-2024 Minier, Márta; Montironi, Maria Elisa; Paravano, Cristina
Mothers, Motherhood and the Feminine in Fiennes’s Coriolanus 1-gen-2023 Montironi, Maria Elisa
Introduction 1-gen-2023 Montironi, Maria Elisa; Paravano, Cristina
“Shakespeare and Women: Voices and Silences” 1-gen-2023 Montironi, Maria Elisa; Paravano, Cristina
Lost in Reception: Christine de Pizan’s Voice and WilliamShakespeare’s A Midsummer Night’s Dream 1-gen-2023 Montironi, Maria Elisa
A Mediterranean, women-centred rewriting of Shakespeare’s Romeo and Juliet: Roberta Torre’s Sud Side Stori 1-gen-2022 Montironi, MARIA ELISA
“Teaching History and English Literature at lower secondary school through CLIL. A classroom case study” 1-gen-2021 Montironi, Maria Elisa; Pace, Manuel
“The ‘Networking’ of the Shrew: Katherina Minola on Facebook” 1-gen-2021 Montironi, Maria Elisa
“«The flowers again»: l’iconografia di Ofelia in Ophelias Zimmer / Ophelia’s Room” 1-gen-2021 Montironi, Maria Elisa
“The Soundscape of Ophelias Zimmer/Ophelia’s Room” 1-gen-2020 Montironi, Maria Elisa
“Animals and Animalisation in Angela Carter’s Rewriting of Grimms’ Snow White” 1-gen-2020 Montironi, Maria Elisa
“Schakespear in der Klemme: Johann Friedrich Schink and the Problem of Adaptation” 1-gen-2020 Montironi, Maria Elisa
“Narrating and Unravelling Italian Crises through Shakespeare (2000–2016)” 1-gen-2020 Montironi, Maria Elisa
“‘Silent, not as a foole’: Shakespeare’s Roman Women and early modern tropes of feminine silence” 1-gen-2020 Montironi, Maria Elisa
“Roberta Mullini, Parlare per non farsi sentire. L’a parte dei drammi di Shakespeare. Roma, Bulzoni” 1-gen-2019 Montironi, Maria Elisa
Parole in Musica. Voci dai margini in John Gay e Bertolt Brecht. 1-gen-2018 Montironi, Maria Elisa
Mostrati risultati da 1 a 20 di 51
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