The essay presents Ehrenfels’ concept of absolute beauty as a fundamental object of aesthetics. Against aesthetic scepticism, according to which we attribute beauty to objects which are very different from one another and have only the name “beautiful” in common, Ehrenfels maintains that it is not the external physical objects that are beautiful, but the phantasy-constructions triggered by them. There exists an absolute beauty as «unity in multiplicity» that is contained in every «really beautiful» object of art or nature and is appreciated by every human being.

Christian von Ehrenfels on Absolute Beauty

RASPA, VENANZIO
2017

Abstract

The essay presents Ehrenfels’ concept of absolute beauty as a fundamental object of aesthetics. Against aesthetic scepticism, according to which we attribute beauty to objects which are very different from one another and have only the name “beautiful” in common, Ehrenfels maintains that it is not the external physical objects that are beautiful, but the phantasy-constructions triggered by them. There exists an absolute beauty as «unity in multiplicity» that is contained in every «really beautiful» object of art or nature and is appreciated by every human being.
File in questo prodotto:
Non ci sono file associati a questo prodotto.

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11576/2650995
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact