The author much insists on the practice of non-traditional casting (i.e., the use of actors and actresses of any colour and ethnicity, chosen only because of their talents and skill), studying any possible meaningful nuance Black performers have given to Shakespeare videos and films, in order to read the texts through contemporary lenses for contemporary multiethnic spectators.

Shakespeare’s Histories on Screen: Adaptation, Race and Intersectionality, Jennie M. Votava (2023)

Mullini, Roberta
2023

Abstract

The author much insists on the practice of non-traditional casting (i.e., the use of actors and actresses of any colour and ethnicity, chosen only because of their talents and skill), studying any possible meaningful nuance Black performers have given to Shakespeare videos and films, in order to read the texts through contemporary lenses for contemporary multiethnic spectators.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11576/2740391
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