The paper aims to examine some aspects of signed Late Republican sculpture, with particular emphasis on the issue of authorship. To what extent did sculptors possess creative autonomy in developing new subjects? Conversely, towhat degree were they bound by codified iconographic/visual repertoires? Furthermore, how does ancient artistic literaturecontribute to the appreciation and critical reception of the final work?
La dialettica firma - autore - opera: una nota
M. E. Micheli
2025
Abstract
The paper aims to examine some aspects of signed Late Republican sculpture, with particular emphasis on the issue of authorship. To what extent did sculptors possess creative autonomy in developing new subjects? Conversely, towhat degree were they bound by codified iconographic/visual repertoires? Furthermore, how does ancient artistic literaturecontribute to the appreciation and critical reception of the final work?File in questo prodotto:
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