IRIS
MULLINI, ROBERTA
 Distribuzione geografica
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Continente #
NA - Nord America 8.546
EU - Europa 8.241
AS - Asia 4.978
SA - Sud America 566
Continente sconosciuto - Info sul continente non disponibili 113
AF - Africa 61
OC - Oceania 35
Totale 22.540
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Nazione #
US - Stati Uniti d'America 8.408
CN - Cina 2.473
GB - Regno Unito 2.344
IT - Italia 1.724
SG - Singapore 1.354
UA - Ucraina 1.343
SE - Svezia 601
DE - Germania 462
BR - Brasile 455
FI - Finlandia 442
TR - Turchia 440
RU - Federazione Russa 354
FR - Francia 324
IE - Irlanda 296
VN - Vietnam 230
PL - Polonia 131
BD - Bangladesh 90
IN - India 86
CA - Canada 80
KR - Corea 65
HK - Hong Kong 61
NL - Olanda 58
AR - Argentina 53
JP - Giappone 44
AU - Australia 32
MX - Messico 28
ES - Italia 25
BE - Belgio 24
ID - Indonesia 22
ZA - Sudafrica 21
EC - Ecuador 19
AT - Austria 18
CH - Svizzera 14
IQ - Iraq 14
MY - Malesia 13
IL - Israele 11
AE - Emirati Arabi Uniti 9
CO - Colombia 9
CZ - Repubblica Ceca 9
EU - Europa 9
GR - Grecia 9
PY - Paraguay 9
RO - Romania 9
BG - Bulgaria 8
SA - Arabia Saudita 8
UY - Uruguay 8
DK - Danimarca 7
UZ - Uzbekistan 7
CR - Costa Rica 6
EG - Egitto 6
HN - Honduras 6
HU - Ungheria 6
JM - Giamaica 6
JO - Giordania 6
KE - Kenya 6
LT - Lituania 6
TW - Taiwan 6
AO - Angola 5
CL - Cile 5
LK - Sri Lanka 5
PK - Pakistan 5
TN - Tunisia 5
AZ - Azerbaigian 4
IR - Iran 4
NO - Norvegia 4
NP - Nepal 4
PH - Filippine 4
EE - Estonia 3
KZ - Kazakistan 3
NZ - Nuova Zelanda 3
PT - Portogallo 3
SK - Slovacchia (Repubblica Slovacca) 3
SN - Senegal 3
SV - El Salvador 3
TG - Togo 3
VE - Venezuela 3
AL - Albania 2
BO - Bolivia 2
BY - Bielorussia 2
DO - Repubblica Dominicana 2
DZ - Algeria 2
GA - Gabon 2
HR - Croazia 2
KH - Cambogia 2
MA - Marocco 2
MD - Moldavia 2
MT - Malta 2
PA - Panama 2
PR - Porto Rico 2
RS - Serbia 2
TH - Thailandia 2
TM - Turkmenistan 2
AM - Armenia 1
CG - Congo 1
ET - Etiopia 1
FK - Isole Falkland (Malvinas) 1
GH - Ghana 1
GL - Groenlandia 1
GT - Guatemala 1
GY - Guiana 1
Totale 22.426
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Città #
Southend 2.086
Jacksonville 1.088
Chandler 882
Nanjing 648
Ashburn 621
San Jose 591
Singapore 570
Woodbridge 464
Ann Arbor 406
Houston 387
Izmir 344
Dublin 296
Dallas 273
Fairfield 243
Nanchang 226
Wilmington 223
Boardman 219
San Mateo 209
Council Bluffs 208
Cambridge 196
Princeton 162
Helsinki 157
Lauterbourg 142
Beijing 140
New York 126
Shenyang 121
Tianjin 111
Kraków 106
Changsha 102
Hebei 99
Ho Chi Minh City 95
Kunming 91
Düsseldorf 89
Milan 87
Los Angeles 85
Rome 84
Moscow 83
Jiaxing 82
Seattle 82
Santa Clara 65
Des Moines 63
Seongnam 59
Bologna 58
Buffalo 57
Hong Kong 56
Velikiy Novgorod 56
Mülheim 54
Istanbul 50
Hanoi 48
Shanghai 44
San Diego 41
Naples 40
Bremen 39
Hangzhou 39
São Paulo 38
San Francisco 34
Tokyo 33
Toronto 33
Lanzhou 32
Munich 31
Florence 29
Jinan 29
Changchun 26
Frankfurt am Main 24
Brussels 23
Guangzhou 23
Redwood City 23
Chicago 21
Ningbo 21
Orem 21
Chennai 20
Turin 20
Portland 18
Stockholm 18
Norwalk 17
Amsterdam 16
London 16
Biên Hòa 14
Brooklyn 14
The Dalles 14
Warsaw 14
Zhengzhou 14
Catania 13
Edinburgh 13
Montreal 13
Atlanta 12
Belo Horizonte 12
Imola 12
Phoenix 12
Wuppertal 12
Rio de Janeiro 11
Venice 11
Federal 10
Fuzhou 10
Johannesburg 10
Mexico City 10
Mumbai 10
Quito 10
Shenzhen 10
Auburn Hills 9
Totale 13.829
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Nome #
Pararima e significato nella prima poesia di Wilfred Owen 521
Wilfred Owen e la pararima: dalla produzione giovanile alla poesia di guerra 492
'Fatale monstrum': note sul fascino di Cleopatra 234
Playing the Fool: the Pragmatic Status of Shakespeare's Clowns 220
"Respublica": testo e intertesto nell'interludio per Mary Tudor 219
'Better be sott Somer than Sage Salamon': Carnivalesque Features in John Heywood's Plays 216
Sinestesia e insensibilità nella poesia di Wilfred Owen 214
Rosalind/Ganymede/Rosalind: travestimento, gioco, enigma in As You Like It di William Shakespeare 212
A Comparative Analysis of Sonnets 46 and 47 by W. Shakespeare 210
’But thou didst understand me by my signs’: The Instability of Signs in King John 203
Quando le api avevano un re: Shakespeare e la letteratura scientifica tra Cinque-Seicento 201
Humour in Shakespeare’s Arcadia 200
Parlare per non farsi sentire. L’a parte nei drammi di Shakespeare 199
Was Waltho Van Claturbank’s Speech ever spoken? The Fashion of London Quacks’ Speeches between the seventeenth and the eighteenth Centuries 198
"Was ever woman in this humour won?”: the power of pragmatic strategies in Richard III’s wooing of Lady Anne. A case study. 197
LINGUAE & 193
'Is she not mine to chastise as I list?': ruoli e personaggi femminili nel dramma medioevale 191
A Masque Presented at Ludlow Castle, 1634: una fiaba di magia in Arcadia 191
Introduction 187
The Play [not only] of the Wether: Gender, Genre, and Wordplay in a Very Early Modern Comedy 183
Corruttore di parole. Il fool nel teatro di Shakespeare. 182
Fulgens and Lucres: a mirror held up to stage and society 174
'AN AGONY OF CONSCIOUSNESS AND A CONSCIOUSNESS OF AGONY': DAL DISCORSO INDIRETTO LIBERO AL MONOLOGO INTERIORE INDIRETTO IN "ENGLAND, MY ENGLAND" DI D.H. LAWRENCE 173
Graphic Surgical Practice in the Handbills of Seventeenth-Century London Irregulars 172
Talking in Asides in Shakespeare’s Plays 172
Il doppio ingresso nel dramma: la prima e la seconda scena 169
Healing Words. The Printed Handbills of Early Modern London Quacks 166
Much Ado About Nothing: l'orientamento della comunicazione nell'eavesdropping 166
Shakespeare's Possible Use of Polydore Vergil's Anglica Historia in Henry VIII 165
'But thou didst understand me by my signs': l'incertezza del segno in King John 165
'Then there's no use in speaking': dal set speech al silenzio nel dramma inglese 163
Verstegan! Who was he? Questions of national Identity 162
When Naming Is Performing: Folly’s Children in absentia in Mundus et Infans 162
Euclio britannicus, ovvero l’Aulularia nel Cinquecento inglese 161
'Cortesia' e 'onestà' in The Importance of Being Earnest 160
The Norwich Grocers’ Play/s (1533, 1565): Development and Changes in the Representation of Man’s Fall 159
"Give him a livery more guarded than his fellows'": Launcelot Gobbo da clown a fool 158
Action and Discourse in The Harrowing of Hell: the Defeat of Evil 157
‘Gull’d by the enchanting Tongues of Quack and Zany”: the rhetoric of nostrum marketing in speech and print in early modern London 157
‘Avaunt, caitiff! Dost thou thou me?’ Dialogue as Mirror of Face-to-face Interaction in Early English Drama 157
“I Cornelius à Tilbourn”: Hotchpotches, poisons, antidotes and royal gifts. The career of a London irregular physician at the end of the seventeenth century. 157
'Pardon my folly in writing of folly': les ouvrages sur la folie de Robert Armin 156
Play-within-a play-within-a play...: i segni del teatro in Julius Caesar, III.ii 155
Laudatio per il conferimento della Laurea ad honorem ad Andrea Camilleri 154
Shakespeare and the words of early modern physic: between academic and popular medicine. A lexicographical approach to the plays 153
Round hips, swelling sides, and masculine strides: A Note on Dating and Interpreting Madame Vestris’s Nineteenth-century Biographies 152
Il contratto d'interazione tra pubblico e scena nel teatro medioevale inglese: fondamenti per una nuova ars theatrica 151
'A most majestic vision': il masque in The Tempest e The Tempest come masque 151
Shakespeare e Giraldi Cinthio: Otello e il gioco con le fonti 150
‘How much I have loved that part of the world’: Agatha Christie and the Orient 150
La teatralità del sacro in The Play of the Sacrament 149
‘With such flourishes as these’: The Visual Politics of Quacks’ Handbills in Early Modern London 149
“These sixe parts of folly”: Robert Armin’s moralizing anatomy of fools’ jests 147
Nemesis as an Emblem for Queen Mary in Respublica 147
Pragmatics in Intercultural Contexts: A Class-room Case Study 147
Thersites: Text and Performance of a Farce for Students 146
A Momaria and a Baptism: A Note on Beginning and Ending in the Globe Merchant of Venice 146
'The Relicts in the Water': the Pardoner from Chaucer to Heywood and Lindsay 143
Playing Females Roles in Early Tudor Drama: Discourse, Routines and Stereotypes 142
Representing Power and Communication in Time of War: Ambassadors, Messengers and Heralds in Henry V 142
Buffone-Clown 142
At work with young actors and old structures: 'Certen playes made by nicholas udall' 142
The Shows of the World: from Satan to the Merchants in Medieval English Drama 141
Impatient Poverty: The Intertextual Game of Satire 141
Pluridirezionalità della comunicazione nella convenzione drammatica del travestimento 141
Dialogue and Debate in John Heywood's Plays: Witty and Witless, A Play of Love, and The Play of the Weather 139
La maschera della follia in Hamlet 137
Volpone di Ben Jonson: la teatralità della simulazione 137
Nemesis as an Emblem for Queen Mary in Respublica 137
'Vieni a veder Montecchi e Cappelletti': Romeo and Juliet da Dante a Shakespeare 137
Thersites: uma farça de estudantes 135
‘Paid not to play’: la politica della dissuasione in Inghilterra prima del 1642 135
Coventry: a case study for theatrical philology between documents and scripts 135
Tweflth Night dal New Globe al DVD 135
Il costume e il suo significato nel dramma Tudor 134
Tudor Theatre: For Laughs (?) 134
Da testo parlato a testo scenico: Gammer Gurton's Nedle a Christ's College, Cambridge 133
Kenneth Branagh’s As You Like It: Plural Conflicts on- and offscreen 133
‘Family Sayings’: Two Generations of Italian Quack Doctors in 17h-Century London 133
Introduzione allo studio del teatro inglese. 132
Playing the Monster: Changing Conventions in the Wit Plays 132
The fiirst medical practitioners in English drama: medical knowledge and quackery in The Play of the Sacrament and in John Heywood’s The Foure PP 132
La commedia degli errori di William Shakespeare: riscrivere Plauto nell’Inghilterra elisabettiana 131
"Divers toyes mengled". Essays on Medieval and Renaissance Culture, In honour of André Lascombes 131
Migranti shakespeariani 131
Il rinvio della sfida e le regole del salotto in A Woman of No Importance di O. Wilde 130
Il "Salterio di Imola" 130
Hamlet, via Tom Stoppard nn. 1-2: aspetti della ricezione intertestuale a teatro e al cinema 127
Representing God and Christ in John Bale’s Biblical Plays 127
Bianca del Villano, Using the Devil with Courtesy. Shakespeare and the Language of (Im)Politeness. Bern: Peter Lang, 2018, pp. 196. 126
Note a margine di The Tempest, I.i. 125
Why A Play of Love in 1534 London? John Heywood and Castiglione’s Libro del Cortegiano: An Intertextual and Intercultural Hypothesis 125
Il fool in Shakespeare. "A fellow of infinite jest" 125
NUOVI 'SHAKESPEARE' INGLESI 124
Showing, telling e l’orientamento del pubblico in The Taming of the Shrew 123
Opening up closings: the definition of the final segment in Tudor dramatic texts 123
Il teatro a cicli 123
Streets, Squares, and Courts: Venice as a Stage in Shakespeare and Ben Jonson 122
John Heywood’s Humanistic ‘Allegory of Love’ 122
’Nobody asked what the women thought’: la poesia femminile inglese della I Guerra Mondiale 122
Totale 16.232
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Categoria #
all - tutte 79.324
article - articoli 0
book - libri 0
conference - conferenze 0
curatela - curatele 0
other - altro 0
patent - brevetti 0
selected - selezionate 0
volume - volumi 0
Totale 79.324
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Totale Lug Ago Sett Ott Nov Dic Gen Feb Mar Apr Mag Giu
2021/20221.389 0 156 196 182 46 30 33 108 125 33 6 474
2022/20232.604 348 121 145 223 180 552 9 191 380 143 204 108
2023/2024584 82 41 22 34 43 127 38 59 8 57 32 41
2024/20252.017 85 173 470 123 44 170 132 156 274 174 88 128
2025/20264.718 256 475 676 829 276 362 551 163 342 317 354 117
2026/2027246 185 61 0 0 0 0 0 0 0 0 0 0
Totale 22.540