IRIS
MULLINI, ROBERTA
 Distribuzione geografica
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Continente #
NA - Nord America 9.276
EU - Europa 8.285
AS - Asia 5.022
SA - Sud America 601
Continente sconosciuto - Info sul continente non disponibili 114
AF - Africa 65
OC - Oceania 35
Totale 23.398
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Nazione #
US - Stati Uniti d'America 9.095
CN - Cina 2.476
GB - Regno Unito 2.355
IT - Italia 1.747
SG - Singapore 1.361
UA - Ucraina 1.344
SE - Svezia 601
BR - Brasile 467
DE - Germania 463
FI - Finlandia 442
TR - Turchia 441
RU - Federazione Russa 355
FR - Francia 325
IE - Irlanda 296
VN - Vietnam 237
PL - Polonia 131
CA - Canada 100
BD - Bangladesh 93
IN - India 86
KR - Corea 65
HK - Hong Kong 63
NL - Olanda 58
AR - Argentina 55
JP - Giappone 44
AU - Australia 32
MX - Messico 29
ID - Indonesia 26
ES - Italia 25
BE - Belgio 24
EC - Ecuador 23
CO - Colombia 22
ZA - Sudafrica 21
AT - Austria 18
MY - Malesia 18
CH - Svizzera 16
IQ - Iraq 14
HN - Honduras 12
IL - Israele 12
SA - Arabia Saudita 10
AE - Emirati Arabi Uniti 9
CZ - Repubblica Ceca 9
EU - Europa 9
GR - Grecia 9
KE - Kenya 9
PY - Paraguay 9
RO - Romania 9
BG - Bulgaria 8
CR - Costa Rica 8
JM - Giamaica 8
UY - Uruguay 8
DK - Danimarca 7
HU - Ungheria 7
PH - Filippine 7
UZ - Uzbekistan 7
EE - Estonia 6
EG - Egitto 6
JO - Giordania 6
LT - Lituania 6
TW - Taiwan 6
AO - Angola 5
CL - Cile 5
LK - Sri Lanka 5
PK - Pakistan 5
SV - El Salvador 5
TN - Tunisia 5
VE - Venezuela 5
AZ - Azerbaigian 4
IR - Iran 4
KZ - Kazakistan 4
NO - Norvegia 4
NP - Nepal 4
TH - Thailandia 4
TT - Trinidad e Tobago 4
BO - Bolivia 3
DZ - Algeria 3
KH - Cambogia 3
NI - Nicaragua 3
NZ - Nuova Zelanda 3
PA - Panama 3
PR - Porto Rico 3
PT - Portogallo 3
SK - Slovacchia (Repubblica Slovacca) 3
SN - Senegal 3
TG - Togo 3
AL - Albania 2
BY - Bielorussia 2
DO - Repubblica Dominicana 2
GA - Gabon 2
GT - Guatemala 2
HR - Croazia 2
LB - Libano 2
MA - Marocco 2
MD - Moldavia 2
MT - Malta 2
PE - Perù 2
RS - Serbia 2
TM - Turkmenistan 2
AM - Armenia 1
BH - Bahrain 1
CG - Congo 1
Totale 23.280
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Città #
Southend 2.086
Jacksonville 1.088
Chandler 882
Ashburn 763
San Jose 721
Nanjing 648
Singapore 575
Woodbridge 464
Ann Arbor 406
Houston 387
Izmir 344
Dublin 296
Dallas 279
Fairfield 243
Nanchang 226
Wilmington 224
Boardman 219
Council Bluffs 219
San Mateo 209
Cambridge 196
Princeton 162
Helsinki 157
Lauterbourg 142
Beijing 140
New York 128
Shenyang 121
Tianjin 111
Kraków 106
Changsha 102
Hebei 99
Ho Chi Minh City 99
Kunming 91
Düsseldorf 89
Los Angeles 89
Milan 88
Rome 87
Seattle 84
Moscow 83
Jiaxing 82
Santa Clara 78
Des Moines 63
Bologna 59
Seongnam 59
Hong Kong 58
Buffalo 57
Velikiy Novgorod 56
Mülheim 54
Istanbul 50
Hanoi 48
São Paulo 46
Shanghai 44
Naples 43
San Diego 41
Bremen 39
Hangzhou 39
Toronto 39
San Francisco 34
Tokyo 33
Lanzhou 32
Munich 31
Chicago 29
Florence 29
Jinan 29
Changchun 26
Frankfurt am Main 24
Brussels 23
Guangzhou 23
Orem 23
Redwood City 23
Ningbo 21
Turin 21
Chennai 20
Portland 20
London 18
Stockholm 18
Norwalk 17
Phoenix 17
Amsterdam 16
Brooklyn 16
Atlanta 15
Montreal 15
Biên Hòa 14
The Dalles 14
Warsaw 14
Zhengzhou 14
Catania 13
Edinburgh 13
Belo Horizonte 12
Imola 12
Wuppertal 12
Boston 11
Charlotte 11
Rio de Janeiro 11
Venice 11
Federal 10
Fuzhou 10
Johannesburg 10
Kuala Lumpur 10
Mexico City 10
Mumbai 10
Totale 14.203
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Nome #
Pararima e significato nella prima poesia di Wilfred Owen 527
Wilfred Owen e la pararima: dalla produzione giovanile alla poesia di guerra 498
'Fatale monstrum': note sul fascino di Cleopatra 236
Playing the Fool: the Pragmatic Status of Shakespeare's Clowns 222
"Respublica": testo e intertesto nell'interludio per Mary Tudor 221
'Better be sott Somer than Sage Salamon': Carnivalesque Features in John Heywood's Plays 220
Rosalind/Ganymede/Rosalind: travestimento, gioco, enigma in As You Like It di William Shakespeare 220
Sinestesia e insensibilità nella poesia di Wilfred Owen 217
A Comparative Analysis of Sonnets 46 and 47 by W. Shakespeare 215
Quando le api avevano un re: Shakespeare e la letteratura scientifica tra Cinque-Seicento 211
’But thou didst understand me by my signs’: The Instability of Signs in King John 209
Humour in Shakespeare’s Arcadia 203
Parlare per non farsi sentire. L’a parte nei drammi di Shakespeare 202
"Was ever woman in this humour won?”: the power of pragmatic strategies in Richard III’s wooing of Lady Anne. A case study. 201
Was Waltho Van Claturbank’s Speech ever spoken? The Fashion of London Quacks’ Speeches between the seventeenth and the eighteenth Centuries 199
'Is she not mine to chastise as I list?': ruoli e personaggi femminili nel dramma medioevale 195
LINGUAE & 195
A Masque Presented at Ludlow Castle, 1634: una fiaba di magia in Arcadia 194
The Play [not only] of the Wether: Gender, Genre, and Wordplay in a Very Early Modern Comedy 191
Introduction 190
Corruttore di parole. Il fool nel teatro di Shakespeare. 187
'AN AGONY OF CONSCIOUSNESS AND A CONSCIOUSNESS OF AGONY': DAL DISCORSO INDIRETTO LIBERO AL MONOLOGO INTERIORE INDIRETTO IN "ENGLAND, MY ENGLAND" DI D.H. LAWRENCE 180
Fulgens and Lucres: a mirror held up to stage and society 180
Talking in Asides in Shakespeare’s Plays 180
Graphic Surgical Practice in the Handbills of Seventeenth-Century London Irregulars 175
Much Ado About Nothing: l'orientamento della comunicazione nell'eavesdropping 172
Il doppio ingresso nel dramma: la prima e la seconda scena 172
Healing Words. The Printed Handbills of Early Modern London Quacks 171
Verstegan! Who was he? Questions of national Identity 171
'Cortesia' e 'onestà' in The Importance of Being Earnest 171
'But thou didst understand me by my signs': l'incertezza del segno in King John 170
Shakespeare's Possible Use of Polydore Vergil's Anglica Historia in Henry VIII 169
'Then there's no use in speaking': dal set speech al silenzio nel dramma inglese 167
Action and Discourse in The Harrowing of Hell: the Defeat of Evil 166
When Naming Is Performing: Folly’s Children in absentia in Mundus et Infans 166
Round hips, swelling sides, and masculine strides: A Note on Dating and Interpreting Madame Vestris’s Nineteenth-century Biographies 165
Euclio britannicus, ovvero l’Aulularia nel Cinquecento inglese 163
The Norwich Grocers’ Play/s (1533, 1565): Development and Changes in the Representation of Man’s Fall 162
Migranti shakespeariani 162
"Give him a livery more guarded than his fellows'": Launcelot Gobbo da clown a fool 161
“I Cornelius à Tilbourn”: Hotchpotches, poisons, antidotes and royal gifts. The career of a London irregular physician at the end of the seventeenth century. 161
'Pardon my folly in writing of folly': les ouvrages sur la folie de Robert Armin 160
Laudatio per il conferimento della Laurea ad honorem ad Andrea Camilleri 160
‘Gull’d by the enchanting Tongues of Quack and Zany”: the rhetoric of nostrum marketing in speech and print in early modern London 159
‘Avaunt, caitiff! Dost thou thou me?’ Dialogue as Mirror of Face-to-face Interaction in Early English Drama 159
Play-within-a play-within-a play...: i segni del teatro in Julius Caesar, III.ii 158
'A most majestic vision': il masque in The Tempest e The Tempest come masque 158
Il contratto d'interazione tra pubblico e scena nel teatro medioevale inglese: fondamenti per una nuova ars theatrica 157
‘With such flourishes as these’: The Visual Politics of Quacks’ Handbills in Early Modern London 156
“These sixe parts of folly”: Robert Armin’s moralizing anatomy of fools’ jests 155
‘How much I have loved that part of the world’: Agatha Christie and the Orient 155
Shakespeare e Giraldi Cinthio: Otello e il gioco con le fonti 154
'The Relicts in the Water': the Pardoner from Chaucer to Heywood and Lindsay 154
La teatralità del sacro in The Play of the Sacrament 154
Shakespeare and the words of early modern physic: between academic and popular medicine. A lexicographical approach to the plays 154
A Momaria and a Baptism: A Note on Beginning and Ending in the Globe Merchant of Venice 153
Pragmatics in Intercultural Contexts: A Class-room Case Study 151
Thersites: Text and Performance of a Farce for Students 150
Nemesis as an Emblem for Queen Mary in Respublica 150
Playing Females Roles in Early Tudor Drama: Discourse, Routines and Stereotypes 149
Representing Power and Communication in Time of War: Ambassadors, Messengers and Heralds in Henry V 149
At work with young actors and old structures: 'Certen playes made by nicholas udall' 148
Pluridirezionalità della comunicazione nella convenzione drammatica del travestimento 148
The Shows of the World: from Satan to the Merchants in Medieval English Drama 146
Buffone-Clown 146
Dialogue and Debate in John Heywood's Plays: Witty and Witless, A Play of Love, and The Play of the Weather 145
La maschera della follia in Hamlet 143
Volpone di Ben Jonson: la teatralità della simulazione 143
Impatient Poverty: The Intertextual Game of Satire 143
Tweflth Night dal New Globe al DVD 143
The fiirst medical practitioners in English drama: medical knowledge and quackery in The Play of the Sacrament and in John Heywood’s The Foure PP 142
Il costume e il suo significato nel dramma Tudor 141
Nemesis as an Emblem for Queen Mary in Respublica 141
'Vieni a veder Montecchi e Cappelletti': Romeo and Juliet da Dante a Shakespeare 141
Thersites: uma farça de estudantes 140
‘Paid not to play’: la politica della dissuasione in Inghilterra prima del 1642 140
Il "Salterio di Imola" 140
Da testo parlato a testo scenico: Gammer Gurton's Nedle a Christ's College, Cambridge 137
Tudor Theatre: For Laughs (?) 137
Kenneth Branagh’s As You Like It: Plural Conflicts on- and offscreen 137
Coventry: a case study for theatrical philology between documents and scripts 137
La commedia degli errori di William Shakespeare: riscrivere Plauto nell’Inghilterra elisabettiana 136
Bianca del Villano, Using the Devil with Courtesy. Shakespeare and the Language of (Im)Politeness. Bern: Peter Lang, 2018, pp. 196. 136
Introduzione allo studio del teatro inglese. 135
Playing the Monster: Changing Conventions in the Wit Plays 135
"Divers toyes mengled". Essays on Medieval and Renaissance Culture, In honour of André Lascombes 134
‘Family Sayings’: Two Generations of Italian Quack Doctors in 17h-Century London 134
Hamlet, via Tom Stoppard nn. 1-2: aspetti della ricezione intertestuale a teatro e al cinema 132
NUOVI 'SHAKESPEARE' INGLESI 131
Il rinvio della sfida e le regole del salotto in A Woman of No Importance di O. Wilde 130
Representing God and Christ in John Bale’s Biblical Plays 130
Note a margine di The Tempest, I.i. 129
Opening up closings: the definition of the final segment in Tudor dramatic texts 129
Streets, Squares, and Courts: Venice as a Stage in Shakespeare and Ben Jonson 128
Il fool in Shakespeare. "A fellow of infinite jest" 128
Testualità parodica e liminalità della donna in The British Museum is Falling Down 127
Why A Play of Love in 1534 London? John Heywood and Castiglione’s Libro del Cortegiano: An Intertextual and Intercultural Hypothesis 127
John Heywood’s Humanistic ‘Allegory of Love’ 126
Il teatro a cicli 126
’Nobody asked what the women thought’: la poesia femminile inglese della I Guerra Mondiale 126
Totale 16.749
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Categoria #
all - tutte 83.687
article - articoli 0
book - libri 0
conference - conferenze 0
curatela - curatele 0
other - altro 0
patent - brevetti 0
selected - selezionate 0
volume - volumi 0
Totale 83.687
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Totale Lug Ago Sett Ott Nov Dic Gen Feb Mar Apr Mag Giu
2021/20221.037 0 0 0 182 46 30 33 108 125 33 6 474
2022/20232.604 348 121 145 223 180 552 9 191 380 143 204 108
2023/2024584 82 41 22 34 43 127 38 59 8 57 32 41
2024/20252.017 85 173 470 123 44 170 132 156 274 174 88 128
2025/20264.718 256 475 676 829 276 362 551 163 342 317 354 117
2026/20271.104 185 109 535 275 0 0 0 0 0 0 0 0
Totale 23.398